Please find my bibliography below, complete with all of the academic texts that have informed me over this module. Please forgive me if I have left any out but these will no doubt be referenced at the bottom of each individual post when used.
Burgess, R. J. (2013) The Art of Music Production – The Theory and Practice. New York: Oxford University Press.
Cunningham, M. (1996) Good Vibrations – A History of Record Production. Surrey: Castle Communications.
D’Escrivan, J. (2012) Music Technology. Cambridge: Cambridge University Press.
Dubber, A. (2013) Music in the Digital Age: Lean Publishing.
Frith, S and Zagorski–Thomas, S. (2012) The Art of Record Production. Surrey: Ashgate Publishing.
Gronow, P and Saunio, I. (1998) An International History Of The Recording Industry. London: Cassell.
Katz, M. (2004) Capturing Sound – How Technology has changed Music. London: University of California Press Ltd.
Moorefield, V. (2005) The Producer As Composer. Massachusetts: The MIT Press.
Senior (2011), Mixing Secrets for the small Studio: London. Taylor and Francis.
Stone, C. (2000) Audio Recording for Profit – The Sound of Money. Oxford: Focal Press.
Theberge, P. (1997) Any Sound You Can Imagine. Connecticut: Wesleyan University Press.
Wikstrom, P. (2009) The Music Industry. Cambridge: Polity Press.
White, P. (2012). The Producer’s Manual. London: Sample Magic.
Zak, A. J. (2001) The Poetics of Rock: Cutting Tracks Making Records. London: University of California Press.